"Arashi", the title translates to the word 'Storm' in Japanese, is a large 60Hx72Wx2D three panel triptych. This piece is headed to a fine home in Las Vegas, NV. I can create this piece as a diptych, triptych, quad, or simply as a one piece.
My creative spirit is awakened by the beauty I see in naturally occurring patterns and textures. I find beauty in imperfection and often see it in scarred and weathered surfaces. "Mori no Sheisin" is a compilation of such images, including an overlay of a bird image.
In my artwork, I strive for an artistic style characterized by the use of details and mental associations to evoke subjective and sensory impressions rather than the re-creation of objective reality. I aim to capture a momentary, sensory effect – the impression an object makes on the eye in a fleeting instant, art that does not necessarily rely on realistic depictions. What the eye perceives and what the brain understands are two different things and I seek to capture the former - the optical effects of light or the passage of time and so on. I think it is hard...
In giclee printing no screen or other mechanical devices are used and therefore there is no visible dot screen pattern. The image has all the tonalities and hues of the original digital image. I use special light-fast inks, which, if kept out of the sun, will remain true for up to 25 years. Image shown titled, "River Pass"
I am mounting one of my archival pigment giclee prints from my 7600 Epson wide format printer. I use a safe adhesive from Glue Safe company to adhere the print to the custom box mount.