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I have been as far as Scottsdale AZ and Sausalito CA for Art Fairs. I found it to be incredibly stressful driving that far (and back) doing the long hours of the show , sometimes 10 am to 9 pm, and the amount of money spent on hotels, food and gas.  I only do shows I’m juried into in Portland, Seattle and Salem now.  We don’t take vacations during the year, so we consider the art festivals ‘working vacations’ and that justifies money spent on nicer hotels and fine food to pamper ourselves from all of the hard work- and...

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I have participated in art festivals and fairs for eight years. The first time I applied I had to borrow Pro-Panels from a fellow artist to create a ‘Booth Shot’, required to apply to the juried art festivals.  I set the panels up in my front yard with my art hung in them and created a ‘Booth Shot’ photo.  After my very first festival, The Bellevue Art Museum Art Fair and Festival, I was able to buy my own Pro-Panels I had so many sales!  It was exhilarating and validating as an artist to have success right off. I only...

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All art is autobiographical; the pearl is the oyster's autobiography. – Federico Fellini (1920–1993), Italian film director, in Atlantic Monthly, December 1965

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"Arashi", the title translates to the word 'Storm' in Japanese, is a large 60Hx72Wx2D three panel triptych. This piece is headed to a fine home in Las Vegas, NV. I can create this piece as a diptych, triptych, quad, or simply as a one piece.

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In my artwork, I strive for an artistic style characterized by the use of details and mental associations to evoke subjective and sensory impressions rather than the re-creation of objective reality. I aim to capture a momentary, sensory effect – the impression an object makes on the eye in a fleeting instant, art that does not necessarily rely on realistic depictions. What the eye perceives and what the brain understands are two different things and I seek to capture the former - the optical effects of light or the passage of time and so on. I think it is hard...

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